Ableton Live 12 and Novation Launchkey - The perfect match!

video upload by Novation

Ableton Live 12 Upgrade Discount

Novation Launchkey Range

"Let's try out the new Ableton Live 12 using our Novation Launchkey 25 and explore the latest Live 12 features, tools and instruments. For this we've used our Launchkey MIDI keyboard controller to test and play around with some of the new features in Live 12 in a hands-on approach."

Chapters:
0:00 - Ableton Live 12 and Novation Launchkey, a perfect match!
1:00 - Using Granulator III with the Launchkey
4:50 - Adjusting Meld with Launchkey
5:52 - Controlling Roar parameters with Launchkey
7:17 - Experimenting with new Ableton Packs
8:38 - Diving into Ableton’s MIDI Editing tools
11:04 - Using Launchkey’s Custom Modes in Ableton Live 12
13:59 - How do different Tuning Systems work on the Launchkey?
16:29 - Ableton Live 12 and Novation Launchkey Conclusion

Moog System 35 Limited-Edition Analog Modular Synth with Moog 953 Duophonic Keyboard

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Limited-Edition Moog System 35 reissue
Serial #19 of 35 systems released worldwide.

Includes walnut finish Moog 953 Duophonic Keyboard. System 35 reissue units hand built by Moog to precisely recreate the original 1973 system. Synth and keyboard are essentially flawless. Small scratch on the side of the keyboard (included in last picture), but otherwise hardly noticeable.

From Moog:

Three years of research and design has culminated in Moog Music recommencing the manufacturing of a limited number of Moog System 35 modular synthesizers. Using all of the original documentation, as well as the original circuit board and art files, Moog engineers have hand-built true recreations of the original instruments based on their 1973 factory specifications.

Each individual module is hand-stuffed and the components are hand-soldered to circuit boards using traditional wiring methods. Each module is then finished with a photo-etched aluminum panel, and placed in its new modular instrument.

System 35 Modules

3x 902 Voltage Controlled Amplifiers
1x 904A Voltage Controlled Low Pass Filter
1x 904B Voltage Controlled High Pass Filter
1x 907A Fixed Filter Bank:
3x 911 Envelope Generators:
1x 921 Voltage Controlled Oscillator:
2x 921A Oscillator drivers:
4x 921B Oscillators:
1x 923 Random Noise/Filter:
2x CP3A Console Panels:
1x CP4A Console Panel:
1x CP8A Console Panel:
1x CP35 Console Panel:
1x 180 Watt 120 VAC or 230 VAC Switch Selectable Power Supply

Fully modular system (no internal patching) comes bundled with 1/4" patch cables"

CLICK FOR MORE »

4/4/24 (swarm) Gieskes Klok & No Drum + Zerosum Inertia PLXNA2 + OAM Uncertainty + Lexicon PCM 70

video upload by Cfpp0

"Butterflies, bats, 16mm swarm: Gieskes Klok modulates itself and No Drum and Olivia Artz Modular Uncertainty, which modulates No Drum, while Klok gates No Drum."

You cand find additional Gieskes Kok module posts here.

This appears to be the first post to feature Olivia Artz Modular. Details on their modules follow via Perfect Circuit and Noisebug.

"Uncertainty from Olivia Artz Modular is a 2hp coin toss module; it is open source, with new, user-swappable firmware being developed. So, it will continue to grow and offer new functionality!

In the standard firmware, the top input accepts gates, triggers, or any signal between -5V and +5V. Based on whether the input is positive or negative, it uses two different types of logic to produce gates at the corresponding eight outputs. If the input is above +1V, then the module does eight differently-weighted "coin tosses"—one for each output. If the outcome of the toss is "heads," a +5V signal is output for as long as the input stays above 1V. If the input signal is -1V or lower, a slightly different coin toss algorithm is used, where the outputs are paired—if the result of the toss is "heads," the upper output of the pair in question sends out a signal, and if it's "tails," the lower outputs sends out a signal.

Alternate firmwares are available for free, and loading them is as easy as plugging in your module via the rear PCB USB connection, dragging on a file, and you're done. The first new official firmware is a VU meter—with the panel LEDs displaying the current voltage level, and each LED getting a dedicated gate output—somewhat like a multi-window comparator! Olivia Artz's Uncertainty module is a great way to add chance operations to your rack without sacrificing space.

UNCERTAINTY FEATURES

2HP chance module with alternate firmwares available
Default firmware uses two distinct coin toss algorithms to convert incoming bipolar signals into eight streams of outgoing gates
Open source
One CV input with 10-bit resolution
Eight gate outputs"

CLICK FOR MORE »

TMP-2-06 Vintage Synth TV Series from Benge

video upload by Memetune Studio

00:00 Opening Titles
00:31 Introduction
01:20 Little Black Boxes
04:37 Switched On Cybersynths
17:46 Synthesiser Club
21:23 Commercial Break
23:05 Patching Today
37:53 Video Lab
40:26 Outro

"Episode six of the second series of the TV program from Benge, made at his Memetune Electronic Music Studio, and the final episode of the season

The series explores his passion for vintage synthesiser instruments and studio gear and how he uses it on his productions and collaborations

////////////////////////////////////////////////////////

It is divided into the following sections:

LITTLE BLACK BOXES - A look at some classic rack mount synths of the 80s and 90s

SWITCHED ON - This second series looks at a type of synthesis based around the ideas of Cybernetics, which Benge calls CYBERSYNTHESIS

SYNTHESISER CLUB - A short musical demonstration of a synthesiser classic or three

COMMERCIAL BREAK - Some shameless Memetune shilling

PATCHING TODAY - A deep-dive into vintage modular systems and how to set up a patch on them, starting from scratch

VIDEO LAB - A look at old video equipment and how to create experimental visuals

////////////////////////////////////////////////////////

In THIS episode:

LITTLE BLACK BOXES - The Kawai k1m was a small desktop version of the K1 layer synth, introduced in 1988. Today I sequence it from an Atari ST running C-Lab Notator

SWITCHED ON CYBERSYNTHS - Patching it all together: after a brief section on quantising both pitch and time, I attempt to patch together all of the Memetune modulars (12 vintage systems!) in a giant Cybersynthesis monster patch

SYNTHESISER CLUB - Today, its more Yamahas, including a QX1 sequencer, RX5 drum machine, TQ5 FM synth module, REX50 multi FX, SY85 layer synth and a MT1X 4-multi-track cassette recorder

COMMERCIAL BREAK - Some adverts for Memetune related goodies, including the new Memetune Annual 2024 (sort of😁)

PATCHING TODAY - Taking the wonky Roland System 100 for a ride

VIDEO LAB - In this episode we take the meme-mobile for a spin!


////////////////////////////////////////////////////////

LINKS:

Benge's Studio Blog: http://myblogitsfullofstars.blogspot.com

Memetune Studio Instagram: @memetunestudio

Benge & Memetune Merch on Bandcamp: https://zackdagoba.bandcamp.com"

BAF 2024: New Systems Instruments - New Modules

video upload by sonicstate

"At Buchla and Friends 2024, Sonic State caught up with Evan from New Systems Instruments to discuss their latest modular offerings. Evan showcased three main modules: the Triphase Oscillator, the Harmonic Shift Oscillator, and the Inertia function generator.

The Triphase Oscillator offers three phases of a sawtooth oscillator with a bipolar mixer, allowing for extensive control and the creation of unique super saw sounds. On the other hand, the Harmonic Shift Oscillator provides control over level and stride which controls the spacing between harmonics, enabling users to create a wide range of sounds with non-integer spacing between harmonics. This FM-inspired oscillator introduces a unique twist by omitting negative frequencies typically associated with inharmonic FM. The Inertia function generator, with its rise and fall momentum controls, allows users to shape snappy envelopes, add peaks, and even function as an LFO at extreme settings. Additionally, it can serve as a versatile filter, producing squelchy filter sounds.

All of these modules are currently available on the New Systems Instruments website and selected stores. The Triphase Oscillator is priced at $385, the Harmonic Shift Oscillator at $365, and the Inertia function generator at around $345.

https://nsinstruments.com/"

Quad Multimode Filter & Morphing Scanner Bank // Atlas by Vostok Instruments

video upload by DivKid

"I really love the approach of Vostok Instruments where they’re building out modules that not only sound great, but that offer multiple channels of the same functions. In modular you often need more, and not particularly more variety, but more of the same functions to push creativity and deeper levels of patching.

Atlas is a set of 4 multimode filters (low pass, high pass, band pass), with clever normalisations, dual modulation inputs per channel, a ‘classic synths of Japan in the 80s’ inspired sound PLUS you get an interpolating scanner bank that will morph between the four filter outputs. It’s an impressive thing that’s been a delight to play and patch with.

As always I hope the video provides you patches to explore Atlas and other filters and functions in your own systems."

Update: new video from Stazma:

Atlas Eurorack Module Demo | Gear Talk w/ Vostok Instruments

video upload by Stazma

00:00 Intro
01:14 Module Overview
04:46 Scan section
07:39 My first patch with Atlas
08:11 Four voice poly synth patch
11:23 Funky Bass & vowels
14:01 Ping it!
14:54 Stereo patch
17:17 Ambient w/ Torso T-1
18:14 Drum machine patch
21:34 End talk



Mini press release follows:

"Atlas is the latest addition to our range of multi-channel modules, a fully analog, four-channel multimode filter.

The cores are a modern approach to the gain-cell-based filters included in many of the classic Japanese synths of the 80s, with a vastly improved dynamic range, a super-accurate resonance compensation circuit, and a clean self-oscillation. It is perfect for recreating iconic TR-drum sounds by pinging the filters with fast envelopes or triggers.

In addition to the four filters, the module counts with a dedicated Interpolating Scanning Circuit that morphs between all the filter outputs to create new shapes and timbres."

User Manual

Additional details via Vostok Instruments:

When we talk about the sound signature of synths, filters are probably one of the first topics appearing.

On Atlas, we dive into the sound of the 80s Japanese classics with four gain-cell-based multimode filters that keep the silky and creamy sound of those legendary machines along with some technical improvements like a better noise floor, an accurate resonance compensation, and a daisy-chain input implementation that makes some patching techniques like parallel filtering a lot easier.

The filter cores have been carefully designed and tweaked to be pristine without losing character. With three filter modes available per channel, 4p-LP, 2p-HP, and 4p-BP, Atlas can cover almost any filtering technique, from superb filter sweeps to multi-slope resonant patches.

Thanks to its precise resonance circuit, each core creates a clean sine wave when self-oscillating. Excite the inputs with fast trigger or gate signals, and you will get TR-like drum sounds, from deep kickdrums to nice toms and congas.

In addition, the module counts with a CV-controlled Interpolating Scanner circuit that morphs softly between each filter output, creating new shapes and timbres as it fades between the channels.

Features
Four analog multimode, gain-cell-based VCF circuits.
Three modes per channel: 4p-LP, 2p-HP, and 4p-BP.
Resonance compensation circuit.
Daisy-chained audio and Freq inputs.
Secondary CV input, selectable between Frequency or Resonance.
CV-controlled Interpolating Scanner circuit.

ELKA EK-44 + Full Expansion Set (5 Cards)

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Superb ELKA EK-44 in near mint conditions. The synth comes with all the 5 expansion cartridge featuring 32 patches each, for a total of 224 sounds (including the 64 internal ones). Here you will get 5 ROM card (expansions 1->4) and 1 RAM card (expansion 5). The machine is in perfect working conditions and just looks great. Professional packing and UPS Express Saver shipping guarantee.

History

The 80s saw Yamaha dominate the synthesizer industry with its groundbreaking FM synthesis. The release of the DX7 in 1983 caused a deep crisis for manufacturers specialized in analog synthesizers. Yamaha not only patented the new synthesis model but also produced cost-effective and reliable chips for digital sound generation making these new keyboards more powerful and reliable, more cost-effective and easily industrialized. The blow to Italian companies was severe, even for those that had long invested and innovated by introducing digital systems into their projects. They faced significant challenges because the 'core' of their equipment remained anchored to traditional analog generation, which was no longer competitive.

Italian FM

But some companies, despite suffering a setback, managed to reorganize and respond with some interesting proposals after a few years of hardship. Specifically, ELKA, the company that designed and marketed the glorious ELKA SYNTEX just a few years earlier, successfully acquired a series of ICs capable of generating sounds and waveforms using FM technology. With these components, ELKA created a range of highly interesting products for that era. Although the chips used (the YM2203) were manufactured by Yamaha and primarily intended for the video game and arcade console sector, ELKA's creative engineers successfully integrated them into their musical instruments, creating a new FM product line.

EK-44 : The flagship FM Synth

The top-of-the-line synthesizer created with these new chips was the EK-44, a multi-timbral 4-OP FM synthesizer with 18 voices of polyphony and 8 oscillators. Inside, it houses two identical sound generators named DCG1 and DCG2, each employing 6 YM2203 chips (4 operators with 8 different FM algorithms), making it capable of generating multiple sounds simultaneously — a remarkable feat for its time. The 2 voice processors can be split, layered or played as 8 independent parts with own Midi channels and mix volume.

Usability

The EK-44 operates in a similar manner to the Yamaha DX7, except that the its LCD display is a little more informative, although some information (the equivalent of the DX7's algorithm charts) is hidden from the user so you don't have to worry about it. So, when we go through the basic parameters, keep in mind that most of them are represented in the LCD display by an eight-section bar chart. Whether we're talking about oscillator volumes, frequencies, envelope levels or whatever, eight little columns in the display give you a good visual indication of the current state of affairs, while the first eight of the sixteen Performance Registration buttons directly beneath the display allow you to choose which of the available levels you're editing.

CLICK FOR MORE »

Jamuary 11, 2024: Lost

video upload by stujay

"Lots of Instruo here. Main melody = Cs-L panned left, Ts-L+Neoni (FM'd) panned right. Assists from Make Noise Mimeophon and New Systems Instruments Inertia. Harmonaig on quantizing duty, melody played on Doepfer Trautonium ribbon controller. Big bass at the end is Therevox Ondes VCO. A touch of weirdness courtesy of Slate+Ash Spectres."

New Systems Instruments #jamuary2024 no 1

video upload by New Systems Instruments

"Apologies for the unedited mix. Patch notes: audio out from the keyboard is going directly to the mixer and also to the Eurorack, landing in the sync input of a Triphase. Triphase out 1 and 2 are going to two Inertias configured for frequency division. So basically, frequency multiplication followed by division. The noise is pink noise through two VCAs, modulated by a fast and a slow LFO."

https://nsinstruments.com/

What is The Vanilla Synthesizer? It's Ready, That's What

via the STG Soundlabs/muSonics Electronic Newsletter:

Is it The Vanilla Synthesizer or the muSonics TVS?

I started working on this project a year and a half ago.

Originally my thought process was to make a new American format synthesiser that could be sold as modules, kits, and bare boards. I was concerned about the future of the format, and I felt a new line of basic modules and infrastructure at a variety of price points was important. I still do.

STG Soundlabs was a failure because I made things that ultimately the eurorack market simply did not want. Yes, I sold some, and will continue to maintain the line as best as I can, but it's very hard to find photos of eurorack installations with STG Soundlabs modules in them, but rare to find a nice big man-sized synthesiser without my modules in it.

Another thing I wanted to do was teach myself how to do my own engineering. It didn't start that way, but it became that way. I'd been a hardware product developer since 2005 but never actually laid out a circuit board. That is no longer true, and I've done things beyond this project that I haven't even talked about.

CLICK FOR MORE »

UVI Introduces HX-20 - Iconic Semi-Modular Soft Synth Based on the KORG MS-20

video uploads by UVI

Playlist:
UVI HX-20 | Trailer
UVI HX-20 | Preset Showcase
UVI HX-20 - Overview

"Introducing the new 'HX' series, HX-20 provides a powerful hybrid architecture combining 3 hardware-based wavetable and sample oscillators with physically-modeled filters to deliver a versatile and creative re-imagining of an esteemed classic."

via UVI

HX-20 is based on one of the most recognizable and well-loved analog monosynths around, known for its versatile semi-modular architecture, iconic front panel design, and starred musical history. Launched in the late '70s, this small two-oscillator monosynth has a lot to offer, and continues to be an inspirational studio compadre for artists around the world.

More Than The Sum
The success of this synth wasn't due to any single design consideration, instead it benefits from its combination of great features, fantastic sound, and compelling value. From the rich analog oscillators to its versatile filter section, to being both semi-modular - capable of integrating with external inputs and larger systems, to being relatively light and portable, there is simply a lot to love.

More Than The Sum
The success of this synth wasn't due to any single design consideration, instead it benefits from its combination of great features, fantastic sound, and compelling value. From the rich analog oscillators to its versatile filter section, to being both semi-modular - capable of integrating with external inputs and larger systems, to being relatively light and portable, there is simply a lot to love.

A Dynamic Duo
HX-20 is the debut release of UVI's new HX Series - leveraging our deep history in hardware sampling and physical modeling to create flexible, modern instruments with an unmistakable hardware soul, thanks in part to a novel hybrid approach combining hardware samples and wavetables, with physically-modeled filters. With its own unique hybrid sensibilities, we thought this was the perfect instrument to kick things off with.

Hybrid-X Engine
HX-20 is similar to many of our vintage instruments in that you get a deep sampling of the hardware, but it excels in two important ways; the addition of two new layers of hardware-based wavetables, and physically-modeled filters - giving you three sample layers in total to configure, all with the analog charm you know and love. Like our chosen hardware, this unique combination of features creates a powerful and compelling sonic tool with incredible character.

Hardware Sound, Exemplified
The new sample-based wavetable oscillators in HX-20 give you entirely new dimensions with which to explore. Capturing the hardware in its full range, you have greater flexibility and nuance over the raw instrument sound than ever before. The best part, you still get our top-tier sample layers, with hand-crafted sounds lovingly designed here at UVI.

You can find additional details at https://www.uvi.net/hx-20

Analogue Solutions Ample Synthesizer Now Available

Analogue Solutions Ample Synthesizer -- All Sounds Ample video upload by rezfilter

"Here's a little retro track I put together using only the Ample synth from Analogue Solutions. All parts were sequenced or played live from the Ample, utilizing the onboard Patternator sequencer throughout.

Ample begs to be touched, sequenced, pinned, and played. It's a culmination of all great things from AS."

Check with the dealers on the right for availability. Press release follows.

Analogue Solutions announces availability of Ample as ANALOGUE 3 VCO PATCH PIN SYNTHESISER blending best of past and present products

SHATTERFORD, UK: after a successful soft-launch at SynthFest 2023 in Sheffield, UK on October 7, British boutique electronic instruments innovator Analogue Solutions is proud to announce availability of Ample to a wider audience as a desktop-friendly ANALOGUE 3 VCO PATCH PIN SYNTHESISER — beautifully blending the best elements of several of its past and present products to form a truly analogue modular system skilfully presented as a precision- engineered electronic musical instrument in a spacious (550mm x 262mm x 83mm) steel and aluminium case that also embraces ergonomic features such as VESA mount compliance, should desktop space be at a premium, all of which adds up to being a perfect fit for its appropriate appellation — as of November 29…

Ample adheres to Analogue Solutions’ tried-and-tested no-compromise construction formula, featuring a full rugged steel and aluminium case — no plastic mouldings here; high-quality metal potentiometers with smooth action, fully sealed against dust intrusion; high-quality knobs with spun aluminium caps; high-quality double-sided circuit boards; high-quality 16-bit DAC (Digital-to-Analogue Convertor) for stable MIDI (Musical Instrument Digital Interface) to CV (Control Voltage) conversion; stable analogue oscillators; gold-plated touch plates; plus true retro analogue voice and modulation circuits to give an authentic retro sound. Since Analogue Solutions’ innovative instruments are applauded for proudly possessing a truly vintage sound — synthesisers featuring fully-analogue audio paths with analogue LFOs (Low Frequency Oscillators) and EGs (Envelope Generators), in other words, Ample is in good company as an ANALOGUE 3 VCO PATCH PIN SYNTHESISER.

But by beautifully blending the best elements of several past and present products — namely, the sound elements of Fusebox fabricated originally as an aptly-named, three-VCO (Voltage-Controlled Oscillator) true analogue monophonic synthesiser that favourably fuses the company’s characterful vintage sound with an advanced choice of modulation and melodic possibilities in a beautifully-built box; the jack points introduced in the long-discontinued line of Concussor modular synth drum modules (themselves dating back to the time when Analogue Solutions was the third company to start producing Eurorack format-compatible modules, magical as that might sound in today’s ever-expanding era of thousands of Eurorack modules being produced by hundreds — if not thousands — of developers, both bigger and smaller); the patch pin matrix introduced in the long-lasting Vostok semi-modular synthesiser series (that knowingly nodded and winked at its Russian ‘roots’ from a visual standpoint); the lo-fi echo featured in Dr Strangelove as a small and affordable desktop signal processor (that ushered in Analogue Solutions’ so-called synthBlocks series); and last, but by no means least, the sequencer and CV touch plates introduced in Generator as a highly-versatile multi-channel analogue step sequencer — to form a truly analogue modular system skilfully presented as a precision-engineered electronic musical instrument is what really makes Ample stand out amongst Analogue Solutions’ present-day products.

Put it this way: while Ample shares all of those features from some of Analogue Solutions’ ‘greatest hits’, it still has a sound of its own thanks to the circuits on offer: OSCILLATING is handled by three analogue VCOs (Voltage-Controlled Oscillators), each providing a wealth of features and modulation choices, with the VCO3/LFO 1 legend visually highlighting that the third oscillator can easily be utilised as an LFO (with saw, square, and triangle wave modulation signals), while LFO2/SYNC has a triangle wave output to total two LFOs; the LP VCF (Voltage-Controlled Filter) section is anchored around a four-pole 24dB-per-octave low-pass filter; the VCA (Voltage-Controlled Amplifier) can be set to THRU so it is always ‘open’ (allowing Ample to be used as an effect processor); the two envelope generators — EG 1 and EG 2 — each offer full control over ATTACK, DECAY, SUSTAIN, and RELEASE; extensive modulation routing choices allow for a wide range of resultant sounds extending into percussion and ‘modular’ territory, further extended by patching with the jack sockets and pin matrix; MIDI is intentionally kept simple so users can concentrate on creating new sounds and making music, with all- important control over filter cutoff available via MIDI Velocity; patchable CV control sockets allow the synth in question to effectively be rewired to make new sounds, as well as easily patched together with external Eurorack and other modular systems; the PATTERNATOR is a vintage-style 16-step sequencer; the six touch plates each output a set voltage, so can be used to pitch notes or as modulation signals — either way, they are truly inspirational in action; the pin matrix represents a neat (and flexible) way to patch the synth; and the ECHO section provides easy access to adding a little lo-fi echo or delay.

Audio applications abound when working with Ample as a synthesiser — excelling at analogue sound effects, as well as fat basses, screaming leads, and all manner of other crazy sounds associated with analogue synthesis; an effect processor — perfect for feeding external sounds through the onboard analogue filter and ECHO sections via external audio inputs; a drum synthesiser — suited to producing electronic percussion, including cymbal, hi-hat, kick, and snare sounds; and as a modular synthesiser — partially pre-patched, but with such a wide range of modulation routing possibilities that it is almost as versatile as a full-blown modular system, and capable of producing the same types of sounds but dispensing with telephone exchange-like cabling confusion in favour of making space-saving connections with removable coloured pins, yet still providing a flexible selection of patch sockets so it can quickly be re-patched into itself or to/from external Eurorack and other modular systems.

It is also worth noting in conclusion that while Ample can be used with an external MIDI keyboard or DAW (Digital Audio Workstation), or an external CV keyboard or analogue sequencer, it is equally at home being worked with on its own using its internal step sequencer or pitch played via its six-touch plate ‘keyboard’. Whatever way anyone chooses to work with Ample, it could conceivably be argued that it is the best desktop synth of all — Analogue Solutions-wise or otherwise!

Limited quantities of Ample are already available to purchase directly from Analogue Solutions for £1,999.00 GBP (excluding tax/VAT) via its dedicated webpage (https://www.analoguesolutions.com/ample) while stock will soon be arriving at selected dealers (https://www.analoguesolutions.com/dealers).

Check with dealers on the right for availability.

When Mathematics & Physics Influence Eurorack Modular // New Systems Instruments at Knobcon 2023

video upload by DivKid

"It was great to see New Systems Instruments at Knobcon 2023 and learn about some of their modules. They caught my eye around their release and their "a bit like Serge but from a mathematical" approach certainly fascinates me. We look at Inertia, a function generator that has inertia, an resonance like overshoot of voltage travelling as well as the oscillators."

NSI are here // https://nsinstruments.com

Luminous Trilogy & A CATALOGUE OF FM MATERIALS by Element433 ( a.k.a. Pere Villez)

via Element433 (Pere Villez)

"When I made the popular YouTube series 'FM Catalogue of Materials', many viewers commented that they would love to see some more of the 'music tech as cinema' style created in the videos.

My new project 'Luminous Trilogy' release, does exactly that. In part 1 'WTD', synths and synth technical diagrams, together with Pure Data/Max patches, become casual parts of the film's environment, which is set in an alt near future. Part 1 was realised with analogue modular, whereas Part 2 "Breath" was scored using binaural audio, VCV rack and live Indian tablas. Part 3 'Contrails' uses physical models, Samplicity's Berlin Studios and vintage FM hardware."

Update: Element433 has made the VCV patch and assets used in the film "Breath" below a free download. You can find instructions on downloading the patch and setting it up here: http://tinyurl.com/e433WpBrvcv.

Luminous Trilogy

video uploads by Element433 ( a.k.a. Pere Villez)

"Three music shorts around the theme of light, from incandescent urban folklore set in the near future, electric neon glowing medussae to impossible skies, all to the sound of dark ambient and techno-world music"

Playlist:

Walking The Dulzaina - Luminous Trilogy - Part 1

Walking The Dulzaina is an edited one-shot music film which details the manic walkthrough time-lapse of an imaginary synthesised dulzaina (Spanish folkloric instrument) being taken for a walk through the "Las Vegas" like dressed streets of a small village festive celebration set somewhere in the near future.

The visuals are nods to the Bladerunner, Lynch, Weirdcore and Kubrick where the glow of transparent neon CRTs, display technical diagrams with a music technology theme. Some suddenly slide up from the ground, while others cross from one side of the street to another.

The music is inspired by minimalism, industrial techno synth-folk where Steve Reich and Techno meet Raymond Scott and 1960's BBC radiophonic.

Musical Equipment Detail:

Intro: Moog Subharmonicon through Fairfield Randy's Revenge ring modular - into two crunchy Elby Systems stereo valve preamps and out into a stereo pair of Doepfer A-199 spring tanks).

Dulzainas: Buchla Easel Command sometimes untreated and sometimes solo through a J.H. 'Son of a Storm Tide' stereo analogue studio flanger (built by Van Daal Electronics (second dulzainas and very low transition whoooses). Buchla and Subharmonicon sync locked and clock divided by Ornaments and Crime clock divider.

Final wormhole sequence: Subharmonicon through stereo A-199 Doepfer spring reverbs and Paulstretched.

This work is not sponsored by any the manufacturers mentioned. They are personally purchased pieces of equipment.

Album:
https://distrokid.com/hyperfollow/ele...

CLICK FOR MORE »

Versio, Legio and/or Alia? - All Of Them 2023

video upload by Cinematic Laboratory

"This is a bit of a tribute to Noise Engineering, the discontinued Iteritas family, the birth of the Alia platform and a trip down memory lane. This video features most of the Versio firmwares, the alternative Multiversio firmware, Cursus Iteritas, Manis Iteritas, Basimilus, Debel Alia and the Loquelic as well as the Mimetic Digitalis sequencer. The Rabbit Hole is not a fairy tale and sometimes I feel I went way to deep for the sake of this channel. This video is not sponsored, endorsed or affiliated with Noise Engineering in any way. It's more like an independent fan film. Expressions used in this video are my own. As always, what works for me, may not work for you so always think twice before you buy, and then think again. I want to inspire, which is hopefully a positive way of 'influencing'. I hate that word.

There's a bit of a dark undertone in this video, maybe you don't even notice it. But it hurts when a whole line of gear gets discontinued for whatever reason. It feels like I made a bad decision on those modules even though this is bullshit. Suddenly, they feel old, especially when they're ported to something way more clever like the new Alia platform. I also had this feeling when I started with a discontinued old Shared System in 2018. It's now one of my most cherished gear. I had the same feeling when Mutable Instruments retired. I now have that same feeling when MakeNoise announced the last run of the Black & Gold, and maybe the concept of 'systems' all together. It feels a bit like all your favorite bands are breaking up. Whatever. It will pass. Regardless, there's some great music coming from these modules and I had a wonderful time with the Iteritas and Versio line. This turned out to be a true dream machine and everything I patch just works (for me).

I've finished my Noise Engineering case after four years and I may be drawing the line here because there's no more room for new modules. 'All of Them' refers to a video I made in 2020, featuring a compare of the Iteritas family (CIP excluded). And suddenly, they're all history except the LI, CIP and my personal favorite LIP which is - imho - still at the top of the food chain. I'll focus on new firmwares for Alia, Legio and Versio, and probably make a few videos about small NE setups with the stuff I have. Today, 2023, it's both cool and shocking to see how the landscape has changed. Now let's hope the Daisy chip will stay around for a long time."

TMP-2-03 Vintage Synth TV Series from Benge

video upload by Memetune Studio

00:00 Opening Titles
00:32 Introduction
01:29 Little Black Boxes
05:54 Switched On Cybersynths
13:24 Synthesiser Club
16:24 Commercial Break
17:33 Patching Today
31:51 Video Lab
36:22 Outro

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Episode three of the second series of the TV program from Benge, made at his Memetune Electronic Music Studio

The series explores his passion for vintage synthesiser instruments and studio gear and how he uses it on his productions and collaborations

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It is divided into the following sections:

LITTLE BLACK BOXES - A look at some classic rack mount synths of the 80s and 90s

SWITCHED ON - This second series looks at a type of synthesis based around the ideas of Cybernetics, which Benge calls CYBERSYNTHESIS

SYNTHESISER CLUB - A short musical demonstration of a synthesiser classic or three

COMMERCIAL BREAK - Some shameless Memetune shilling

PATCHING TODAY - A deep-dive into vintage modular systems and how to set up a patch on them, starting from scratch

VIDEO LAB - A look at old video equipment and how to create experimental visuals

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In THIS episode:

LITTLE BLACK BOXES - The Roland Super JV-1080 layersynth from 1994

SWITCHED ON CYBERSYNTHS - Electronic Tonalities and The Krell. We go deep underground on the planet Altair IV to explore the beguiling "Krell Patch" on a giant Buchla 200 system

SYNTHESISER CLUB - An assortment or Arps!

COMMERCIAL BREAK - Brand new Memetune Merch - T-Shirts, Tote Bags and Badges - support this channel and search for BENGE BANDCAMP and look for the merchandise section

PATCHING TODAY - The EMS VCS3 (and friends) from the late 1960s

VIDEO LAB - In this episode - a look at ALIEN WORLD BUILDING, based upon the world of Benge’s short film “Proof of Hyper-travel”

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LINKS:
Todd barton & the Krell Patch (Buchla tutorials): http://www.toddbarton.com
Benge's Studio Blog: http://myblogitsfullofstars.blogspot.com
Memetune Studio Instagram: https://www.instagram.com/memetunestudio
Benge / Memetune Merch on Bandcamp: https://zackdagoba.bandcamp.com

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The MemeTune Programme Credits:
Everything in this video was created by B D Edwards (Benge)
All music, design, writing, filming and production completed at Memetune Studios, UK, 2023

Midiverse - TV Knobcon 2023

video uploads by Midiverse - TV

Playlist:
Steady State Fate - Knobcon 2023 - Midiverse - TV
New Systems Instruments - Knobcon 2023 - Midiverse - TV
Kilpatrick Audio - Knobcon 2023 - Midiverse - TV
Karltron - Knobcon 2023 - Midiverse - TV
SetonixSynth / Tidbit Audio - Knobcon 2023 - Midiverse - TV
Infrasonic Audio - Knobcon 2023 - Midiverse - TV

More info @
https://midiversetv.blogspot.com
@midiverse_modular on Instagram

5 Second Interviews at Knobcon 2023

video upload by Gerbil Hamster Records

"Shits too long sometimes
Love ya!

|||||Links|||||
Buchla
https://buchla.com/

Hive Mind Synthesis
https://www.thekillerbeerelayteam.com...

After Later Audio
https://afterlateraudio.com/

CLICK FOR MORE »

Product Specialist Kevin Maloney - Full Interview

video upload by Anthony Marinelli Music

"In this video, I visit and talk with former New England Digital Synclavier Product Specialist Kevin Maloney while surrounded by his two Synclavier Digital Music Systems.

Together, we present a complete history of the Synclavier with a stories and examples of how we used it on some massive hit records and films.
First, we listen to a track on the the original blue vinyl record titled 'The Incredible Sounds of the Synclavier II Demonstration Record'
that was the original source sound for the intro to Michael Jackson's 'Beat It'.Kevin's talks about sitting next to Michael while working on the Bad" album.He'll show us a complete breakdown of the components that make up the "Smooth Criminal" bass sound and a recreation of the sampled drum part.Then you'll see, in real time, how Synclavier's unique sequencer can drastically and quickly manipulate (or even transform) the recreated "Smooth Criminal" track.Kevin tells us how he worked closely with producer Quincy Jones to create the intro to "We Are the World". Quincy wasn't satisfied with silver bells, so Kevin turned silver bells into gold bells. Quincy said, he wanted to “send out bells to call all the people of the world to come and hear this song”. We delve into the Synclavier's one-of-a-kind ability to analyze samples (recordings of instruments or sounds) in order to create a series of short frames that each consist of a static wavetable. By cross fading the frames the user is able to recreate the complexity of a sample with a synthesizer sound. This process is called Resynthesis. The user is now able to manipulate the synthesizer sound in many more ways than can ever be done with a sample. We then heavily distort some vocal sounds that were generated using Resynthesis to show the level of control that is possible. We take a look at some preset sampled sounds from the original Synclavier Orchestral library including the string sounds used by Mark Knopfler in Rob Reiner's "The Princess Bride". Anthony talks about how he created a flute sound generated from Resynthesis and later used it to perform practically every cue in the film "Stand by Me" which is another Rob Reiner hit. We take you through the evolution of the Synclavier that includes: The Synclavier I, the Synclavier II with it's original keyboard, the addition of the velocity and polyphonic keyboard, The expanded track sequencer, the addition of more buttons and secondary functions accessed by double clicking the buttons to send them into "blinking mode". BTW - These buttons were originally designed for the B-52 bomber.

We cover MIDI, SMPTE, polyphonic sampling voices and more memory (at a cost of $4500 per megabyte) that were available to add to your system.

We highlight the reason why the Synclavier cost so much and how New England Digital managed to integrate cutting edge 3rd party technology that all worked perfectly together in one unified music system. Finally we review the far more accessible versions of the Synclavier like the Synclavier V by Arturia, Synclavier Go! and Synclavier Pocket! and the most recent addition to the family - Synclavier Regen which actually has unlimited FM synthesis and sampler voices along with the long awaited... resonant Multimode FILTERS!!! The evolution of Synclavier is filled with a plethora of breath-taking features that were nowhere to be found on any other single instrument and it includes a discography of legendary proportion. It's also a history that's deeply personal to me because it ran parallel with my evolution as a composer, songwriter, arranger and programmer. The Synclavier is alive and well in 2023!

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns, Internal Affairs, The Man From Elysian Fields, 15 Minutes and Planes, Trains & Automobiles, been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller.

Website: www.anthonymarinelli.com"

“Finding the Right Words” (Triphase + Babel)

video upload by New Systems Instruments

"(Use headphones/good speakers or the hf might be too piercing.) Patch notes: another duophonic Triphase patch. Each mix out is going into Babel as the only input, taking the XSOME output, which means Babel is functioning as an octaver/saw-to-triangle shaper. These are going to the left and right inputs of the Quad Mid Side, then the L-R and X inputs are attenuated to narrow the mix (in stereo, X is just a second L-R). Output through some long reverb, pretty low in the mix. I’m using two channels of the Quad LFO plus two Phase Expanders to modulate the center of the two Babels and 2/3 phases of the Triphases. The Triphases are tuned to cancel the first two harmonics, so on top of Babel’s octaving that is being disturbed by LFOs to center, the pitch is much higher but there’s a whole bunch of sub harmonics that come out and blend with the higher frequency triangle waves.

Modules and more info at https://nsinstruments.com"